About Jaelle Pedroli
Jaelle Pedroli is a Western Australian artist, living and working in Perth, (Whadjuk Noongar Boodjar).
Since graduating with a Bachelor of Visual Arts and Diploma of Education from Curtin University (2004), Pedroli has continued to work as an Artist and a Visual Arts educator. Pedroli has intensified her focus on her own artistic practice since 2020.
Her work has been acquired by the City of Melville’s public collection and she has been recognised as a finalist in several prestigious awards, including the Minnawarra Art Award, Royal Perth Landscape Prize, Rockingham Art Prize and Lethbridge Small Scale Art Award.
Her next group show is scheduled for 30 May 2026 at Nyisztor Studio, Fremantle.
Jaelle will also be participating in Melville Open Studios 2 & 3 May 2026
Artist Statement
I was raised in the Southern Forest (Boojarah) region of Western Australia. My formative years living in the Australian bush have informed a visual language that is now tangible in my landscape paintings. Through painting, I connect with the natural world around me, reflecting on my sense of belonging within the landscapes I inhabit and paint.
In my work, I frequently depict rivers, coastal thresholds, and geological formations, where familiar landscapes are subtly altered through luminosity and atmosphere. Rocks glow, currents slow or intensify, and natural systems appear suspended between observed reality and psychological interpretation through shifts in light, colour, and composition. These interventions invite viewers to experience landscape not as a static scene, but as a living presence, one that is felt as much as it is seen.
I create small en plein air studies within the Western Australian landscape. Being present and immersed in place is fundamental to my pursuit of capturing its aliveness through direct observation. In the studio, larger paintings are developed from these studies alongside photographic imagery gathered while working on location, allowing each work to evolve between lived experience and reflection.
Throughout the painting process, I emphasise mark-making, colour relationships, and the material presence of light. Layered applications create depth and movement, allowing forms to emerge gradually rather than through strict representation. The paintings balance control and spontaneity, mirroring the behaviour of nature itself, directed yet unpredictable, resulting in works that hold both a soft luminosity and an electric vibrancy.
My work reflects an ongoing engagement with the Australian landscape as a living, relational space, shaped through experience, memory, and presence.
Acknowledgement to Country
I would like to acknowledge the Traditional Owners of the land on which we meet today, the Whadjuk people of the Noongar nation, and pay my respects to their Elders past and present".
It is this country that I paint and commune with on almost a daily basis. A place I celebrate in my artworks. I’m privilege to paint this beautiful country and the life force that is the Derbal Yerrigan, the Swan River. Spending as much time as I do painting in and of the landscape has given me a lot of time to think and more importantly feel.
My relationship with place has evolved notably during my last body of work, Open earth. I’ve honed my ability to express the aliveness of this land rather than merely capturing its parts. I’ve noticed the way I think and talk about the land has evolved too. I’ve shifted from a Western mindset that views the landscape through a more scientific, utilitarian lens to a mindset that sees nature as something that lives, breathes and feels. Something that we can’t live without.
How lucky are we, that we get to experience this amazing country especially the area local to Jenalup (Blackwall Reach Reserve).